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Cast:
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Crew:
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Special Effects:
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- Filmfex Animation Services Ltd.
- special optical effects
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Miscellaneous Companies:
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- Animals Unlimited
- Jones trained by
- Anvil Recording Studios
- music recorded at
- Lee Lighting Ltd.
- lighting
- R/Greenberg Associates Inc.
- title design
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- Sony U.K. Ltd.
- video equipment
- Steve Frankfurt Communications
- title design
- Thorn EMI Elstree Studios
- post-production
- Tony Silver Films
- title design
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Filming Locations: (Now With Clickable Links To Location On Google Maps)
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Tech Info:
- Budget:
- $11,000,000 (USA)
- Camera:
- Panavision Cameras and Lenses
- Color Info:
- Color (DeLuxe)
- Laboratory:
- DeLuxe, USA / Rank Film Laboratories, Denham, UK
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- Aspect Ratio:
- 2.35 : 1
- Cinematographic Process:
- Panavision
- Film Negative Format:
- 35 mm - Kodak 5247
- Printed Film Format:
- 35 mm / 70 mm
- Production Dates:
- 05 Jul 1978 - Dec 1978
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Quotes:
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Lambert: I can't see a goddamn thing.
Kane: Quit griping!
Lambert: I like griping.
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[Ripley has tried to disengage the self-destruct.]
Ripley: Mother! Turn the cooling unit back on! Mother! ...You bitch!
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[Last line]
Ripley: Cargo and ship destroyed. I should reach the frontier in about 6 weeks. With a little luck, the network will pick me up. This is Ripley, last survivor of The Nostromo, signing off.
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Kane: Oh, I feel dead.
Parker: Anybody ever tell you you look dead?
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Ripley: Ash?! Any suggestions from you or Mother?
Ash: No, we're still collating.
Ripley: [laughing in disbelief] You what? You're still collating? I find that hard to believe.
Ash: What would you like me to do?
Ripley: Just what you've been doing, Ash, nothing!
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Trivia:
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- Parts of the Nostromo set were cannibalized to make the corridor in the Vogon spaceship in The Hitch Hikers Guide to the Galaxy.
- The vector graphics that appear on Ripley's screen showing the undocking sequence for the Nostromo were also used for the aircar launch sequence in Blade Runner.
- Scott is reportedly quoted as saying that originally he wanted a much darker ending. He planned on having the alien bite off Ripley's head in the escape shuttle, sit in her chair, and then start speaking with her voice in a message to Earth. Apparently, 20th Century Fox wasn't too pleased with such a dark ending.
- During production an attempt was made to make the alien character transparent or at least translucent.
- The embryonic movements of the "face hugger" (prior to bursting out of its egg) were created by Ridley Scott using both his rubber-gloved hands
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